Artifact Illustration Lessons by Donna M. Walker – Note: Please scroll down when changing pages, the logo appears at the top of each page.
Author: Donna Marie Walker
About the Author: Native to San Diego County, Donna Walker earned her AIS Certificate (American Indian Studies) from Palomar College in San Marcos, CA where she also majored in art and history. Donna has been a contract artist for UCSD for the last several years, specializing in pottery/ceramic illustrations. She also teaches archaeological illustrations for various colleges, archaeological societies, and at the San Diego Archaeology Center in Escondido, CA. Her work appears in professional archaeological reports and presentations. She can be reached by email at: email@example.com to schedule a class or one-on-one lesson.
3-Part Artifact Illustration Class Times and Dates:
1st Class: Sat. Feb. 25th on Lithics at the San Diego Archaeological Center (SDAC) Address: 16666 San Pasqual Valley Rd, Escondido, CA 92027 Time: 10:30 am – 1:30 pm
2nd Class: Sat. March 4th on Perspective at the Sikes Adobe Historic Farmstead Address: 12655 Sunset Dr. Escondido, CA 92025 Time: 11:30 am – 2:30 pm Note: A short tour of the inside to view the original adobe wall will be at 11:30 am.
NOTE: For the 2nd and 3rd class, we will meet at SDAC’s parking lot at 10 am then carpool over to the archaeological sites (Felicita Park charges $3.00 for parking).
If you’re unable to attend a class, you can make it up by coming to one of the quarterly classes that will be held at SDAC.
Payment: You may pay by cash or check on the first day of class or, via PayPal. When using PayPal, please enter whether or not you are a member of SDAC in the note/comment section, and then enter the designated amount accordingly.
Thank you! Feel free to contact me with any questions!
On Saturday, Nov. 5, 2022, class was held at SDAC (San Diego Archaeology Center) in Escondido, CA. Unfortunately, a few students and archaeologist were unable to attend due to colds … must be the changing weather!
Vanessa Chappins, SDAC’s Public Archaeology Coordinator, had the educational room all prepared for us with tables and a display of teaching “artifacts” for illustrating.
Students soon learned the beginning of artifact illustrating can be time consuming: Measuring, working first in pencil, lots of erasing, and closely examining the artifact from different angles and light.
We also discussed Drawing Artifacts to Scale and how a 1:1 scale is the easiest and takes less time and creating a layout of the ventral (front), profile, and dorsal (back) of their artifact.
They soon realized how drawing profiles, be it biface, shell, or pottery, can be difficult – requiring good hand dexterity plus, often standing up and bending over the artifact and paper while carefully holding the piece in place to trace around it.
I promised everyone that once they got to the inking part, it would move faster and actually become a pleasant form of relaxation.
We only had to introduce the white out once. Taking breaks – stretching (and cookies), helped ease the backs, necks, fingers, and stomach. …
As I went around to each individual and answer questions or demonstrate techniques, I saw just how great everyone was doing and how well they kept examining their artifact, comparing it to their drawing, checking back and forth, back and forth.
I explained that artifact illustration is a technical skill which can be learned. Their job was to “map” the artifact step-by-step.
I also shared some shortcut techniques that included using vellum ( parchment paper for baking is less expensive and works just great!).
Some of the students working on ceramics were able to place vellum over the sherd and trace the outline of the design.
Then they turned the vellum over and rubbed the side of their pencil all over the backside, then flipped it back over and placed the vellum on top of their paper, centering it over the outline of the sherd they had drawn, and pressed their pencil down, going over the lines of the design. Hand-made carbon!
One thing I had to remind everyone of was to go softly with the pencil because in the end, it all had to be erased.
Also, for that reason, I let them know to go easy on placing too much detail with pencil … that most of the detail would be done during the inking process.
Everyone ended up doing a complete and may I say, “beautiful” illustration! Take a look at the finished drawings:
The Importance of Hand Illustration in a Digital Age
There are several reasons to illustrate artifacts by hand rather than rely on photos:
a. A camera can only reveal what is exposed to the lens; if there’s a shadow, it will obscure important details.
b. Drawings can depict hidden, as well as visible surfaces; they show an object as it exists, rather than as it is perceived by the camera. For example, in illustrating a grave with only partial bones visible, the artist can “fill in” the missing bones.
c. A good drawing represents an artifact in the most favorable conditions of light and darkness, with no detail obscured by shadows or obliterated by harsh lighting.
d. Lithic analysts continue to prefer illustrations instead of photography. This is due in part because many stone tools are highly reflective or even translucent.
e. Hand illustrations are also preferred to digitally created drawings. The difference in quality of a hand-drawn illustration supersedes a computer generated one.
Archaeological illustration is more informative than a photo. As the artist, you control what you want the viewer to see by focusing on the areas that have been worked by humans.
One does however, recognize the need for photographing artifacts, especially in museums for keeping a digital inventory. In archaeology, researchers are now creating amazing 3-D images that enable the viewer to see different angles of an artifact. And, a microscopic photo that shows texture and color is often important to include in analytical reports.
Unlike other professions where digital technology has replaced traditional methods, researchers in archaeology still rely on the detailed drawings that an illustrator can produce. Just open an archaeological report, magazine or book, and you’ll find the majority of stone tools and pottery are shown as hand done line drawings – along with the photographs.
Instead of pitting photography and digital technology against hand illustration, the general consensus in the field of archaeology is that hand-drawn illustrations complement digital imaging and vice versa. Having both – provides a complete analysis and a better representation of the artifact.
First Peoples of the Escondido Creek Watershed Written by Donna M. Walker – Elfin Forest Docent / Trail Guide, Escondido, CA
August of 2017, I was asked by Simon Breen, Education Manager of The Escondido Creek Conservancy (TECH), to help with a new exhibit at the Elfin Forest Interpretive Center in Escondido, CA. I currently lead nature walks there once a month (Second Sunday at 10 am – just in case you’d like to join me!).
You’ve heard the saying, “It takes a village. …” that’s exactly what it took for this exhibit…Simon said he wanted it to be ready in one month!
* Everyone had their part; from Park Rangers, Jeff, Shawnn, and John, Tim Roberts and Victoria Grau, interns for the exhibit. Members of the Luiseño People, Mel Vernon and Diania Caudell for their input and expertise and for Diania’s cool basket weaving class!
Nathan Serrato and Simon Breen for coordinating the exhibit and reception. Last but not least, yours truly for the illustrations, signage, and coordination of the artifacts on loan from SDAC (San Diego Archaeological Center) of Escondido, CA.
After meeting with Simon and Mel, the three of us came up with a name for the exhibit: “The First Peoples of the Escondido Creek Watershed.” We felt it was important that the exhibit focus on Native Americans both past and present, the Kumeyaay and Luiseño Peoples.
In designing the exhibit, it was essential to display artifacts found in Escondido and show how indigenous people lived during prehistoric times. However, we also wanted celebrate their culture and continued contributions to the community in present day.
First thing I did was call up SDAC to speak with my friend and curator, Adolfo (Ad) Muniz. He was very helpful in choosing artifacts found locally to loan us for the exhibit. Ad also spoke at the reception on how stone tools were made and about archaeology of the area.